“The wind, with its hands in its pockets, whistles a tune as it wanders
down the road – a jaunty melody, at odds with its surroundings – and the
theme is picked up by everything that passes, until all of Aldersgate,
in the London
borough of Finsbury, has joined in. The result tends towards the
percussive. A bottle in the gutter rocks back and forth, cha-chink
cha-chunk, while a pair of polystyrene cartons, one nestled in the
other’s embrace, whisper like a brush on a snare drum way up on the
pedestrian bridge. A more strident beat is provided by the tin sign
fixed to the nearest lamppost, which warns dogs not to foul the
pavement, a message it reinforces with a rhythmic rattle, while in the
Barbican flower beds – which are largely bricked-in collections of
dried-up earth – pebbles rock and stones roll. By the entrance to the
Tube there’s a parcel of newspapers, bound by plastic strips, whose
pages gasp and sigh in choral contentment. Dustbins and drainpipes,
litter and leaves: the wind’s conviction that everything is its
instrument is justified tonight.”
— Trecho
de Bad Actors, de Mick Herron